Enna Cheung Yeuk-fei

Enna Cheung Yeuk-fei (張若菲) is a Hong Kong printmaker who works in intaglio — primarily soft-ground etching — with a focus on the small-scale, personal print as a vehicle for autobiographical reflection on family, kinship, and embodied experience. She graduated from the Department of Fine Arts at the Chinese University of Hong Kong (CUHK) and is currently a resident artist at the Hong Kong Open Printshop (HKOP).

In 2025 Cheung was one of two recipients of the HKOP Award alongside Julie May. The award provides a six-month residency at HKOP's Print Lab at the Jockey Club Creative Arts Centre (JCCAC) in Shek Kip Mei, including mentorship, materials, technical support, and an exhibition venue. Her resulting solo exhibition at Print Art Contemporary, HKOP's gallery space within the PMQ heritage complex in Central, accompanied live demonstrations at the Print Lab and constituted her first major institutional showcase as a working printmaker.

The principal documented work from the 2025 exhibition is 'shoulder to shoulder since birth' (肩, 'shoulder'), a soft-ground etching with elongated proportions (60.1 × 19.7 cm paper size) that addresses the experience of growing up alongside a sibling — the idiomatic Cantonese title 'shoulder to shoulder' invokes the physical proximity of childhood as well as the lifelong relational pattern that proximity establishes. The vertical format of the print recalls the traditional Chinese hanging-scroll proportion, but the subject and technique are firmly rooted in contemporary European intaglio. Soft-ground etching produces a textured tonal line that softens the descriptive precision of straight etching, and Cheung uses that softness to register the bodily intimacy of the print's narrative content.

Cheung's CUHK training places her within the lineage of artists who came up through the Department of Fine Arts under educators including Lui Chun Kwong and Wucius Wong, and who have continued to work through HKOP's residency programme. The CUHK printmaking faculty maintains close ties with HKOP, and a sequence of recent young Hong Kong printmakers — Jay Lau Ka-chun, Cheung Tsz Ki Jacky, Cheung Chung Chu, and others — have followed comparable routes from CUHK undergraduate study to HKOP residency. The 2025 HKOP Award, in particular, recognizes emerging Hong Kong printmakers whose practice the studio identifies as worth developing through its institutional support structure.

Within the contemporary Hong Kong print scene, Cheung's practice represents the autobiographical-intimate strand — the use of the print as a vehicle for personal reflection rather than for the more politicized portraiture of Jay Lau or the topographic-photographic abstraction of Fung Ho-yin (also HKOP). The principal English-language documentation of her practice is the HKOP Print Art Contemporary catalogue (hkprintartcontemp.myshopify.com/collections/cheung-yuek-fei-enna) and the 2025 award announcement, with additional information available through HKOP's annual exhibition catalogues.