Untitled

This untitled woodblock extends Alex Mankiewicz's work as an illustrator and graphic narrative artist into the relief print medium. His editorial practice has always prioritized narrative clarity — the ability to communicate situation, character, or mood through reduced graphic means — and the same instinct governs his prints. Rather than pursuing pictorial completeness, the image is organized around a few decisive compositional moves: the placement of a primary form, the negative space surrounding it, and the relationship between figure and ground. The mokuhanga process rewards this kind of compression. Because each color requires a separately carved block, restraint is built into the medium; Mankiewicz works with that constraint rather than against it. The print sits adjacent to his comics and illustration output, sharing their economy of line while gaining the surface qualities specific to hand-printed [washi](/glossary/washi): absorbed pigment, soft edges where [bokashi](/glossary/bokashi) gradients have been wiped onto the block, and the slight unevenness that distinguishes a hand-pulled impression from any mechanical reproduction.