Seventh song (part 9)
by Amano Kazumi
- Date:
- July 1957
- Medium:
- Woodblock print, ink on paper
- Dimensions:
- 38.7 × 28.9 cm
- Edition:
- Self-printed
- Source:
- Minneapolis Institute of Art
by Amano Kazumi
$300–$2,500. Common prints: $300–$800. Key value factors: Amano's sosaku-hanga prints are modestly priced. Bold, well-preserved abstract works are most valued.
Seventh Song (Part 9), dated July 1957, arrives late in both the song sequence and the overall publication numbering, carrying the accumulated weight of six preceding songs. By the seventh iteration, the musical metaphor has been stretched, tested, and elaborated through multiple variations, and this final or near-final song can serve as a summation, a coda, or a departure into new territory.
This ink-on-paper woodblock print continues the monochrome discipline of the song series while bringing the experience of the entire sequence to bear on its composition. The seventh song in a musical suite traditionally carries special significance in many world traditions, from the seventh chord in Western harmony to the cultural weight of the number seven in Japanese tradition, where it recurs in festivals, legends, and religious practice. Amano's visual seventh song benefits from these accumulated associations while remaining rooted in the specific material reality of carved wood and pressed ink.
Seventh song (part 9) was created by Amano Kazumi (天野和美) in July 1957.
Seventh song (part 9) depicts music and abstract.
Seventh song (part 9) measures 38.7 × 28.9 cm.
![Untitled [musicians performing Owara-bushi] by Amano Kazumi](https://1.api.artsmia.org/800/135476.jpg)
