
Cranes
by Daniel Kelly
- Medium:
- Mokuhanga (Japanese woodblock)
- Image courtesy of
- Hanga Ten
Description
Cranes — tsuru — are a recurring motif in Japanese visual art, associated with longevity, marriage, and the New Year. Kelly's treatment likely departs from the classical Edo-period [kacho-e](/glossary/kacho-e) formula by treating the birds with the directness and observational realism of his Western draftsmanship rather than the stylized emblematic poses of nineteenth-century woodblock convention. Cranes lend themselves to mokuhanga's strengths: the white plumage can be rendered through unprinted [washi](/glossary/washi), the black wing tips and legs through dense [sumi](/glossary/sumi)-tone keyblock impressions, and the negative space activated by subtle gradations. The composition may show one or more birds in flight, in courtship display, or standing in shallow water — all postures within the traditional repertoire. As a Western printmaker working in Japan, Kelly often picked up subjects with rich iconographic histories and let them carry their associations while reframing them through his personal vocabulary. The print belongs to the Hangaten exhibition output of his Kyoto-based career, where animal subjects appear alongside the still lifes for which he is more typically known.


