la priere (XXIX)

"The prayer (XXIX)" precedes XXXII in the series and offers a related but distinct state of the same governing motif. In Kasai's serial method, adjacent numbers within a single subject generally signify variations in palette, density, or compositional weighting rather than wholesale recomposition — the underlying structure remains stable while atmospheric and chromatic decisions shift. The architectural or symbolic form at the centre of the prayer series is therefore likely held constant, with the bokashi fields around it carrying the principal expressive load through gradient transitions from saturated to pale. As a contemplative subject, "la prière" stands apart from his otherwise secular vocabulary of weather and water, and the protracted serial treatment reads as a discipline of repeated attention rather than a programme of representation. The title's French formulation is consistent with Kasai's career-long European orientation.