Brayman Hollow Woods

A site-specific landscape depicting woodland in Brayman Hollow, a rural area in eastern Connecticut where Shimizu has long lived and worked. The print likely shows a stand of trees rendered through the layered blocks of mokuhanga: separate impressions for trunk forms, foliage masses, ground tones, and atmospheric haze. Shimizu's woodland scenes rely on bokashi—the gradient inking technique applied with the baren—to suggest the diffuse light of a forest interior, where edges soften and color depths shift across the picture plane. Unlike Edo-period meisho-e of celebrated travel destinations, this work treats a personally observed local place with comparable compositional attention. The water-based pigments on washi yield muted greens, browns, and grays that retain the paper's surface character, distinct from the saturated, oil-based registration of Western color woodcut. Her American landscape subjects, made with Japanese technique, exemplify the international expansion of mokuhanga since the late twentieth century, when artists trained in Japan began rendering their home landscapes through that vocabulary.