

Mountain Village is one of Morimura's recurring generic subjects, depicting a cluster of thatched or shingled farmhouses set among terraced fields and forested ridges in the Japanese highlands — likely drawn from Tohoku, Hida, or the Iya valley regions he often returns to. The composition probably stacks horizontal bands of paddy, hedgerow, rooftop, and mountain into a layered pictorial relief, each band carved on its own block and printed in flat tones that resolve into deep recession only when read together. Foliage textures are typically cut as dense linear hatching, while roof planes are left as smooth solid color, producing the contrast of carved and uncarved surface that defines his graphic vocabulary. The unpopulated village is a steady motif in his oeuvre and connects him to a longer lineage of sansui imagery, from Edo-period landscape printmakers through Hiratsuka Un'ichi's mid-century mountain views, all the way to his own contemporaries working in self-carved mokuhanga focused on the disappearing rural Japanese landscape.
Mountain Village was created by Ray Morimura (森村玲).
Mountain Village depicts mountains and village scenes.