Nunomezuri

Technique

布目摺

Definition

A texture-printing technique where fabric is pressed into the paper before or during printing to create a cloth-grain pattern.

Nunomezuri in Detail

Nunomezuri creates the appearance of woven fabric on the printed surface by impressing cloth texture into the paper. A piece of fabric with a visible weave pattern is placed between the block and the paper during printing, transferring the textile grain into the dampened paper surface. Alternatively, a block carved with a fabric-like crosshatch pattern may be used.

This technique was commonly used to depict clothing, curtains, and other textile elements in prints, giving them a realistic tactile quality. It appears frequently in bijin-ga (beauty prints) where the texture of a kimono fabric adds realism and visual interest. The technique can be combined with color printing — the fabric impression provides texture while pigment provides color and pattern.

Nunomezuri demonstrates the ingenuity of Edo-period printers in finding ways to suggest different materials and surfaces within the constraints of the woodblock medium. Like karazuri (blind embossing), it adds a tactile dimension that rewards close physical examination of the print.

Frequently Asked Questions

What is Nunomezuri?

A texture-printing technique where fabric is pressed into the paper before or during printing to create a cloth-grain pattern.

What does 布目摺 mean?

布目摺 (Nunomezuri) is a term used in Japanese woodblock printmaking. A texture-printing technique where fabric is pressed into the paper before or during printing to create a cloth-grain pattern.

How is Nunomezuri used in Japanese woodblock prints?

Nunomezuri creates the appearance of woven fabric on the printed surface by impressing cloth texture into the paper. A piece of fabric with a visible weave pattern is placed between the block and the paper during printing, transferring the textile grain into the dampened paper surface. Alternatively, a block carved with a fabric-like crosshatch pattern may be used. This technique was commonly used to depict clothing, curtains, and other textile elements in prints, giving them a realistic tactile quality. It appears frequently in bijin-ga (beauty prints) where the texture of a kimono fabric adds realism and visual interest. The technique can be combined with color printing — the fabric impression provides texture while pigment provides color and pattern.

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