Wong Ho Ching (Jeannie)

Wong Ho Ching, also known as Jeannie Wong (黃皓珵), is a Hong Kong-based contemporary printmaker working primarily in intaglio — etching and drypoint — with a parallel practice in mokuhanga and artist books. She holds a B.A. from the Academy of Visual Arts at Hong Kong Baptist University (2012–2017), where she later worked as a print technician, and an M.A. in Print from the Royal College of Art in London (2019–2021). After the RCA she returned to Hong Kong, where she teaches part-time at Hong Kong Baptist University and at the Hong Kong Open Printshop (HKOP) and develops her studio practice.

Wong's signature technical idiom is small-format intaglio. Combining etching and drypoint, she builds dense black-line compositions of small figures, lone trees, and night-time animal subjects, often on intimate sheets. The intimacy of scale and the consistent use of black ink produce a body of work that reads as private, diaristic, and quietly emotional — closer to the small-format prints of the contemporary European intaglio tradition than to larger gallery-scale work.

A second strand of her practice turns to colour, in prints whose titles are drawn from Cantonese children's songs and nursery rhymes — a recurring thread she has grouped under a 'Nursery Rhymes' series. This folk-cultural material signals Wong's interest in the texture of growing up in Hong Kong; the bilingual Cantonese-English titles and compositions of small playful figures, hand games, and night skies read as visual translations of the rhymes' lyric content.

Wong has participated in the International Mokuhanga Conference, appearing in the IMC2021 juried exhibition, and maintains a parallel artist-book practice alongside her intaglio editions, including accordion-format books that combine mokuhanga with typewritten text. Her debut solo exhibition, Rabbit Hole, was held at the Hong Kong Open Printshop in 2019, followed by Fragments of Time in 2022; she has shown in group exhibitions in Hong Kong, the United Kingdom, Germany (Bremen), and Japan, and appeared with HKOP at Art Basel Hong Kong in 2023. Her editions continue to be produced and sold through Hong Kong Open Printshop, the city's principal cooperative print studio.

The combination of Royal College of Art training, an intaglio technical commitment, a mokuhanga and artist-book parallel practice, and culturally specific Cantonese subject matter places Wong in a small but distinctive niche within the contemporary Hong Kong printmaking scene. She belongs to a younger, emerging generation working in the wake of the studio's founders — among them Cheung Chung-chu, one of the founding members of the Hong Kong Open Printshop, established in 2000 as Hong Kong's first professional art organisation founded and run by printmakers.