A colorful drawing of a house with a white picket fence surrounded by tall grasses, with water and waves in the foreground, and a gradient sky in the background.

This print depicts a single-story house bordered by a white picket fence and tall grasses, with rolling waves and water in the foreground beneath a graduated sky. The composition uses standard mokuhanga structural elements: a foreground band of water, a middle ground of vegetation and architecture, and a recessive sky. The graduated sky likely employs bokashi, the wiping technique that produces tonal transitions through hand-applied pigment rather than through mechanical halftone. The white picket fence functions as a graphic device — a series of vertical strokes against the horizontal grasses — that echoes the rhythmic repetitions found in Edo-period landscape compositions by Hokusai and Hiroshige. The subject, a coastal American dwelling, follows Spitzack's broader interest in vernacular residential architecture rendered through the Japanese tradition. The watery foreground would allow for variations in wood grain printing, where the natural grain of the cherry or shina block can be made visible in the printed impression as a textural element.