A Selection of Beauty from the Pleasure Quarters (Seiro bisen awase): Misayama of the Chojiya in Night Dress (Tokogi no zu - Chojiya Misayama)

Misayama of the Chōjiya in Night Dress, from A Selection of Beauty from the Pleasure Quarters (Seirō bisen awase), is among the most intimate of Chobunsai Eishi's portraits of named Yoshiwara women. The subtitle Tokogi no zu, meaning a scene of bedroom attire, signals that the courtesan Misayama has set aside her elaborate daytime layers for a more relaxed garment, allowing the artist to study the body's softer contours through her loose robe. The Chōjiya was one of the most prestigious houses in the licensed quarter, and Misayama's name would have been instantly familiar to connoisseur viewers, who collected portraits of high-ranking courtesans much as later audiences would collect stage celebrities. The Art Institute of Chicago preserves this impression, and the design exemplifies Eishi's Edo [bijin-ga](/glossary/bijin-ga) vocabulary at its most assured: a tall, narrow figure isolated against a quiet background, her face lowered in a moment of private composure, her hair pulled into a softer night arrangement rather than the architectural styles of her working hours. Eishi's Kano-trained [ukiyo-e](/glossary/ukiyo-e) roots show in the disciplined contour of the kimono and the cool, even distribution of pigment, which together produce an effect closer to refined painting than to the louder commercial prints of his contemporaries. He treats Misayama not as a flirtatious advertisement but as a portrait of a known professional in a moment of stillness. Chobunsai Eishi here demonstrates why patrons valued his prints so highly: they offered the prestige of named beauties while maintaining the decorum of high painting traditions.