Beauties Parodying the Seven Sages - A Selection of Younger Courtesans (Shichi kenjin yatsushi bijin shinzo zoroe): Hanasaki of the Daimonjiya

Hanasaki of the Daimonjiya, from Beauties Parodying the Seven Sages: A Selection of Younger Courtesans (Shichi kenjin yatsushi bijin shinzo zoroe), is one of Chobunsai Eishi's (1756-1829) most refined contributions to Yoshiwara portraiture and is held in the Art Institute of Chicago (reference 101162_526669). The series transposes the Chinese Seven Sages of the Bamboo Grove onto seven shinzo, the apprentice courtesans of named brothels, allowing Eishi to combine learned allusion with the visual catalog of Edo's licensed quarter. Hanasaki, identified by the cartouche as a shinzo of the prestigious Daimonjiya, is depicted in Eishi's elongated [bijin-ga](/glossary/bijin-ga) manner: tall body, narrow shoulders, oval face, and small, restrained features. As a Kano-trained [ukiyo-e](/glossary/ukiyo-e) artist who had spent his early career producing court paintings, Eishi brought a controlled line and an unusually quiet palette to commercial print design, and this sheet shows both qualities. Color is sparingly applied across the kimono, which carries the design's primary decorative interest, while the background is left largely blank to throw the figure into relief. The mitate framing is subtle: nothing in the picture forces the viewer to read Hanasaki as a sage, and the joke depends on the title cartouche linking the daughter of a bamboo grove with the daughter of a Yoshiwara house. The Art Institute holds the print as part of its substantial Eishi collection, which positions the sheet within a larger group illuminating his approach to bijin-ga during the 1790s, when his patronage extended from Edo print buyers up into circles of literary connoisseurship.