Beauties Parodying the Seven Sages - A Selection of Younger Courtesans (Shichi kenjin yatsushi bijin shinzo zoroe): Mitsuito of the Hyôgoya

This sheet from Beauties Parodying the Seven Sages: A Selection of Younger Courtesans (Shichi kenjin yatsushi bijin shinzo zoroe) depicts Mitsuito of the Hyogoya, one of the shinzo, or apprentice courtesans, of a Yoshiwara house. Designed by Chobunsai Eishi (1756-1829) and held in the Art Institute of Chicago (reference 101157_526635), the print belongs to a celebrated series in which Eishi recast the Chinese Seven Sages of the Bamboo Grove as fashionable young women of the Edo licensed quarter. The framing is classic mitate: the gravity of Daoist philosophy is overlaid on the lives of named courtesans-in-training, allowing print buyers to enjoy a learned reference and a contemporary portrait at once. Mitsuito is rendered in Eishi's signature tall, slender [bijin-ga](/glossary/bijin-ga) style, her body elongated and her shoulders narrow in a manner that betrays his earlier training as a Kano-trained [ukiyo-e](/glossary/ukiyo-e) artist. The kimono patterning is precise and large in scale, drawing the eye away from facial expression toward textile design, which Eishi consistently treated as a primary subject. Background is minimal, with the figure standing against a flat ground that throws the silhouette into relief. The cartouche identifies her name and house and ties the sheet into the broader visual catalogue of the series. As a Yoshiwara likeness produced in the 1790s, the design participates in the wider Edo bijin-ga tradition of glamorizing the quarter's hierarchy while subtly elevating its inhabitants through classical allusion. The Art Institute's holding is one of several impressions known internationally, and is regularly cited as a representative example of Eishi's restrained, aristocratic approach to the courtesan portrait.