Chünagon Asatada

Chunagon Asatada, by Chobunsai Eishi (1756-1829), is held in the Honolulu Museum of Art (record 3038, archived through [ukiyo-e](/glossary/ukiyo-e).org). The print belongs to one of Eishi's series of poetic immortals reimagined as Edo beauties. Fujiwara no Asatada, the tenth-century courtier and poet whose work appears in the Hyakunin Isshu, is here represented not by a male figure but by a tall, slender woman in fashionable contemporary dress. The substitution is the central wit of the design: the gravity of a Heian noble's poem is read through the body and accessories of an Edo bijin. Eishi's drawing reflects his Kano-trained ukiyo-e background, with calligraphic confidence in the contour, a controlled palette of pale colors, and a quiet, centered composition. The face is reduced to a few essential strokes, the body composed of long, downward curves, and the kimono pattern carries the design's primary decorative interest. A cartouche names Asatada and locks the parody in place; without it the print would read simply as a bijin portrait of unusual elegance. The Honolulu Museum's impression preserves the signature and is one of several Eishi sheets the museum holds, contributing to a corpus of his work alongside the holdings of the Art Institute of Chicago and the British Museum. As an example of Edo [bijin-ga](/glossary/bijin-ga) inflected by literary mitate, the print illustrates how Eishi's career bridged classical scholarship and the commercial print trade, a synthesis that defined his contribution to the late-eighteenth-century ukiyo-e tradition.