Kiyomasa

This Kiyomasa sheet by Chobunsai Eishi is preserved in the Honolulu Museum of Art collection (accession 3030) and indexed through [ukiyo-e](/glossary/ukiyo-e).org. The image belongs to the broader genre of literary and historical portraiture that Eishi pursued alongside his more famous Yoshiwara [bijin-ga](/glossary/bijin-ga), drawing on classical poets, warriors, and figures from courtly tradition. As a Kano-trained ukiyo-e designer, Eishi was particularly comfortable in this register: his training under Kano Eisen'in Michinobu, and his subsequent service as a painter in attendance to the shogun Tokugawa Ieharu, had immersed him in the visual vocabulary of authoritative classical subjects long before he moved into commercial print design. The Kiyomasa identification points toward one of the warrior figures of Japanese historical memory, and Eishi's treatment retains the calm contour and balanced composition that mark his work overall, even when the subject lies outside the floating world that defined his commercial output. Within his broader career, prints of this kind functioned as counterweights to the Yoshiwara material, signaling cultural literacy and giving Edo audiences access to historical and literary content through the same [nishiki-e](/glossary/nishiki-e) format that delivered courtesan portraits. The Honolulu Museum of Art record provides the authoritative documentation for series identification, dating, publisher, and condition, and that record should be consulted for full provenance rather than relying on stylistic inference.