Misayama of the Chöji-ya Brothel House in Her Dressing Room

Misayama of the Chojiya in Her Dressing Room is a Yoshiwara genre scene by Chobunsai Eishi held in the Honolulu Museum of Art (accession 3045) and indexed through [ukiyo-e](/glossary/ukiyo-e).org. Dressing-room and behind-the-scenes scenes were a recurring feature of late eighteenth-century [bijin-ga](/glossary/bijin-ga), allowing print designers to portray named courtesans in moments of relative privacy rather than in the formal procession imagery that dominated public views of the licensed quarter. Misayama was a high-ranking oiran of the Chojiya, one of the leading houses, and Eishi's image takes advantage of the dressing-room setting to extend his portrait practice into a more spatially developed register. His Kano-trained ukiyo-e style, the legacy of apprenticeship to Kano Eisen'in Michinobu and service as a painter to the shogun Tokugawa Ieharu, equipped him to handle interior scenes and supporting figures, attendants, mirrors, robes, and dressing implements, within a unified composition. Even in this more intimate setting, Eishi preserves the calm linear contour and aristocratic restraint that distinguished his work from Utamaro's more sensually charged dressing-room imagery. The Honolulu Museum of Art record is the authoritative source for publisher, signature, exact dating, and condition, and viewers should consult it for full documentation. As an example of how Edo bijin-ga handled the dressing room as a setting for named-courtesan portraiture, the sheet shows Eishi at his most spatially ambitious within his particular bijin-ga register.