Nishikino of Chöjiya

Nishikino of the Chojiya is one of Chobunsai Eishi's portraits of a high-ranking oiran of the Chojiya, a prestigious Yoshiwara house, held in the Honolulu Museum of Art (accession 3044) and indexed through [ukiyo-e](/glossary/ukiyo-e).org. The Chojiya was a recurrent subject for late eighteenth-century print designers, and its named courtesans were the celebrities of the licensed quarter. Eishi's portrait of Nishikino is a clear instance of his particular approach to Edo [bijin-ga](/glossary/bijin-ga). While Utamaro pioneered the half-length okubi-e that intensified facial expression, Eishi preferred full-length or near-full-length figures organized along long calm contour lines, robes hanging in graceful verticals, and faces drawn with composed restraint. These choices reflect his Kano-trained ukiyo-e formation. He apprenticed under Kano Eisen'in Michinobu and served as a painter to the shogun Tokugawa Ieharu before turning to commercial print designing in the 1780s, and he carried orthodox disciplines of contour and balance into his bijin-ga. The result is a courtesan portrait that registers Nishikino's social specificity while keeping her within Eishi's aristocratic register. The Honolulu Museum of Art record is the authoritative documentary anchor for publisher, signature variant, dating, and physical condition, and viewers should consult it for full cataloging detail. As one of Eishi's individual courtesan portraits from a leading house, the sheet exemplifies the painterly elegance that distinguished him from his Yoshiwara contemporaries.