Sound of Rain

Rain imagery sits near the centre of Aida's mature practice, and this aquatint addresses the subject directly. The medium is suited to representing rain: an even rosin-dust ground bitten across a plate produces the soft, diffused grey field that reads as falling water, while sugar-lift or stop-out passages can introduce sharper drop trajectories or pale negative spaces suggesting reflective surfaces. Aida has linked her preoccupation with water to her early years in Jindai-ji, a Tokyo temple district built around a long-revered water shrine, and her rain prints function as an ongoing meditation on this aural and visual environment. The title — emphasising audition over sight — exemplifies the artist's interest in atmosphere as something experienced through multiple senses, a sensibility that distinguishes her work from straightforward landscape printmaking and aligns it with a broader Japanese tradition in which weather is treated as mood as much as fact. The print holds stillness and motion in the same field.