Maruyama Park (Maruyama kôen)

This woodblock print takes its subject from Maruyama Park in Kyoto's Higashiyama district, a site historically associated with the viewing of cherry blossoms and a centuries-old weeping cherry tree. Rather than a descriptive meisho-e treatment of the park, Maruyama Hiroshi renders the subject through the abstract visual language characteristic of his practice: undulating bands of color move across a dark ground, likely evoking the diffuse bloom of sakura or the layered spatial recession of the park's terraced grounds. The color transitions suggest bokashi gradation, applied with precision to modulate tonal weight across each band. Printed on washi, the composition maintains the flat, planar qualities of the woodblock medium while achieving atmospheric depth through color interval alone. The coincidence of the artist's surname with the park's name may carry a deliberate personal resonance. This work is consistent with Maruyama's broader project of translating landscape experience into non-figurative chromatic structure, in the tradition of postwar Japanese abstract printmaking.