Maruyama Park (Maruyama kôen)
- Medium:
- Woodblock print
- Source:
- Museum of Fine Arts
- Image courtesy of
- Museum of Fine Arts
Description
This woodblock print takes its subject from Maruyama Park in Kyoto's Higashiyama district, a site historically associated with the viewing of cherry blossoms and a centuries-old weeping cherry tree. Rather than a descriptive [meisho-e](/glossary/meisho-e) treatment of the park, Maruyama Hiroshi renders the subject through the abstract visual language characteristic of his practice: undulating bands of color move across a dark ground, likely evoking the diffuse bloom of [sakura](/glossary/sakura) or the layered spatial recession of the park's terraced grounds. The color transitions suggest [bokashi](/glossary/bokashi) gradation, applied with precision to modulate tonal weight across each band. Printed on [washi](/glossary/washi), the composition maintains the flat, planar qualities of the woodblock medium while achieving atmospheric depth through color interval alone. The coincidence of the artist's surname with the park's name may carry a deliberate personal resonance. This work is consistent with Maruyama's broader project of translating landscape experience into non-figurative chromatic structure, in the tradition of postwar Japanese abstract printmaking.


![[Garden of] Taj Mahal, No. 1 (Taji Maharu no niwa, dai ichi) by Hiroshi Yoshida](https://www.artic.edu/iiif/2/230993a7-d4f0-c979-c267-127d48e1ef1c/full/843,/0/default.jpg)


