Shiza yakusha ezukushi

Held in the Art Institute of Chicago and dated to the late seventeenth or early eighteenth century, this two-volume woodblock-printed book bearing the title Shiza yakusha ezukushi (Collection of Pictures of the Actors in the Four Theatres) is attributed to Hishikawa Moroshige and constitutes one of the foundational documents of the [yakusha-e](/glossary/yakusha-e) (actor-pictures) tradition. The four theaters that the book commemorates — the Nakamura-za, Ichimura-za, Morita-za, and Yamamura-za — formed the licensed kabuki establishment of Genroku-era Edo (1688-1704), and the compilation systematically documents the kabuki performers whose work defined the period's theatrical culture. Printed in single-block black ink in the sumizuri-e mode characteristic of late seventeenth-century [ukiyo-e](/glossary/ukiyo-e), the book's pages bring Moroshige's Hishikawa-school draftsmanship to bear on the demanding task of actor portraiture, with each figure rendered through the confident black-line drawing and dense costume patterning that the school had developed for its broader pleasure-quarter and genre work. The Shiza yakusha ezukushi sits at the foundational moment of the yakusha-e genre, anticipating the more elaborate actor-portrait traditions that would develop through Torii Kiyomasu and Kiyonobu, mature with Katsukawa Shunshō and his pupils, and reach their final great efflorescence with Tōshūsai Sharaku and the late Utagawa school. The Art Institute example, recorded under the Hishikawa Moroshige attribution, helps document the artist's central role in establishing the conventions through which Edo ukiyo-e would record and celebrate the kabuki stage.