Young Woman Reading Tanzaku Tied to a Cherry Tree

Recorded by the Art Institute of Chicago as a hand-colored woodblock print of [kakemono-e](/glossary/kakemono-e) and urushi-e classification dated to around 1741, this image stages one of the most poetic conceits in Edo [ukiyo-e](/glossary/ukiyo-e): a young woman pausing beneath a cherry tree to read a [tanzaku](/glossary/tanzaku), the long narrow poem-slip traditionally tied to flowering branches to celebrate the season. The kakemono-e or hanging scroll print format gives the sheet the proportions of a painted scroll, allowing Ishikawa Toyonobu to extend his beauty across a tall vertical field with the same elongated grace he gave his [hashira-e](/glossary/hashira-e) but with rather more lateral breathing room. Urushi-e classification refers to the application of lustrous black lacquer-like accents combined with hand-coloring in beni pink and other pigments, a technique that dominated the 1730s and 1740s. The visual narrative compresses the entire courtly tradition of cherry-blossom viewing and exchanged verse into a single intimate gesture, with the woman's bowed head and the gentle drape of her robes turning private literacy into public theater. The poem slip, ephemeral and seasonal, is the still center of the composition, and Toyonobu's restrained line lets the textile patterns and blossom forms set up a quiet polyphony around it. The print is a touchstone of Toyonobu's lyrical voice and a key example of the urushi-e kakemono-e in American collections.