Around the Kotatsu

Around the Kotatsu, designed by Katsukawa Shuncho around 1784 and held by the Art Institute of Chicago, gathers fashionable Edo women in an intimate winter interior arranged around a kotatsu, the low heated table covered with a quilted coverlet that has long anchored Japanese domestic life in colder months. The print is a quiet but characteristic Tenmei era Edo [bijin-ga](/glossary/bijin-ga), exchanging the outdoor pageantry of cherry blossom or moat scenes for the contained domestic geometry of a heated room. Katsukawa Shuncho composes the figures so that the rectangular form of the kotatsu structures the scene, with women seated around its edges, their kimono patterns flowing across the surface of the coverlet. The decision to focus on winter interior life lets Shuncho explore subtler color registers, with muted blues, warm browns, and small touches of red marking specific accessories or robes. The Katsukawa school under Shunsho was famous for kabuki actor prints, yet Shuncho's contribution to [ukiyo-e](/glossary/ukiyo-e) increasingly centered on bijin-ga, and his treatment here demonstrates a sure feeling for the modulated tempo of indoor life. The print also fits into a broader Edo taste for genre scenes that emphasize seasonality, in this case the comforts of winter, while continuing to showcase fashion and social poise. Around the Kotatsu testifies to Katsukawa Shuncho's ability to make even quiet, sedentary subjects feel pictorially alive. As a representative Tenmei era ukiyo-e in the Art Institute of Chicago, the print fills out the larger picture of how Edo bijin-ga handled the cycle of the year.