
Empress Jingu (left), and Her Minister Takenouchi no Sukune (right)
- Date:
- late 1780s
- Medium:
- Color woodblock print; koban
- Source:
- Art Institute of Chicago
Description
This koban (small-format) color woodblock print in the Art Institute of Chicago, dated to the late 1780s, demonstrates Shun'ei's range beyond the immediate world of kabuki. Empress Jingū, the semi-legendary regent of the third or fourth century said to have led a campaign to conquer the Korean kingdoms, is here paired with her minister Takenouchi no Sukune, the longevity-defying retainer who became a stock figure of Japanese historical iconography. The koban format — a small-scale print — was used for series of historical or legendary figures aimed at a particular kind of literate, history-minded audience. Shun'ei's treatment is appropriately stately: the empress holds her ceremonial bearing, the minister stands in attendance, and both figures are rendered with the firm Katsukawa-school outlining that suited their archaic-heroic register. The print also reflects the late-eighteenth-century interest in Japanese antiquity, when antiquarian scholarship and popular print culture together promoted images of legendary rulers and warriors as cultural icons.
More Prints by Katsukawa Shun'ei

Actor Sawamura Sôjûrô III as Oda Kazusanosuke Harunaga in “Muromacho Chronicle in Kana Script” (“Kanagaki Muromachi bundan”)
About 1791
Color woodblock print; hosoban triptych

Act Four: Enya Hangan's Castle from the play Chushingura (Treasury of the Forty-seven Loyal Retainers)
c. 1795
Color woodblock print; koban

The Actor Segawa Tomisaburo II in an Unidentified Role
c. 1793
Color woodblock print; hosoban; from a multisheet composition (?)

The Actor Yamashita Kinsaku II as the maid Tsumagi in the play "Otokyama O-Edo no Ishizue," performed at the Kiri Theater in the eleventh month, 1794
c. 1794
Color woodblock print; hosoban
Frequently Asked Questions
Empress Jingu (left), and Her Minister Takenouchi no Sukune (right) was created by Katsukawa Shun'ei (勝川春英) in late 1780s.