The Actor Iwai Hanshiro IV as Tonase (?) in the Play Kanadehon Chushingura (?), Performed at the Kiri Theater (?) in the Eighth Month, 1787 (?)

Iwai Hanshirō IV was one of the great onnagata (female-role specialists) of late-eighteenth-century Edo kabuki, and this [hosoban](/glossary/hosoban) print in the Art Institute of Chicago, dated about 1787, shows him in the role of Tonase, a key female figure in Kanadehon Chūshingura. Tonase, the wife of Honzo, must navigate a thicket of competing loyalties and ultimately becomes one of the play's most affecting tragic figures. Shun'ei renders Hanshirō with the slightly elongated, refined facial features that the Katsukawa school used to capture this particular actor's signature presence; the kimono's pattern and color are rendered with the precise registration that characterized Edo color woodblock printing in the late 1780s. The print's caption identifies the production as the eighth-month 1787 run at the Kiri Theater, one of the three great Edo licensed houses, and prints of this kind functioned both as commercial souvenirs for theatergoers and as enduring tributes to favored performers. Hanshirō IV's career, which extended into the early nineteenth century, is preserved across hundreds of prints by Shun'ei and his Katsukawa colleagues, and this image stands as a typical instance of how the school combined documentary specificity with artistic refinement.