
The Actor Segawa Kikunojo III as the Dragon Maiden Disguised as Osaku in the Play Sayo no Nakayama Hiiki no Tsurigane, Performed at the Nakamura Theater in the Eleventh Month, 1790
- Date:
- c. 1790
- Medium:
- Color woodblock print; hosoban
- Source:
- Art Institute of Chicago
Description
Dragon-maiden roles — supernatural female figures from the sea kingdom of the dragon king — gave onnagata performers an opportunity to register an otherworldly mode of femininity inflected by transformative magic. This [hosoban](/glossary/hosoban) print in the Art Institute of Chicago, dated to about 1790, shows Segawa Kikunojō III in just such a role: the Dragon Maiden disguised as the human Osaku, in the eleventh-month Nakamura Theater production of Sayo no Nakayama Hiiki no Tsurigane. Shun'ei renders Kikunojō with the precisely individualized facial features that the Katsukawa school had built into its house style, and the costume carries the subtle indicators of the role's mythic underlayer. Like many late-Tenmei and early-Kansei prints, the image documents a single specific evening's production with archival exactness — theater, month, year, role, actor — while also functioning as an aesthetic object capable of holding the viewer's attention well beyond its commercial moment.



