Katsukawa Shunsho's print of Matsumoto Koshiro III as Kikuchi Hyogo Narikage records a specific summer performance at the Nakamura Theater in the sixth month of 1770, drawn from the vengeance play 'Katakiuchi Chuko Kagami.' Vengeance dramas (katakiuchi mono) were a staple of Edo kabuki, where the genre translated samurai ethical codes of loyalty and revenge into popular entertainment, and Matsumoto Koshiro III was among the actors most associated with grave, dignified samurai roles of this kind. Shunsho's portrait emphasizes the actor's signature features, particularly the strong brow and set jaw that distinguished him on stage, and uses costume patterning and prop detail to anchor the figure to the specific role of Kikuchi Hyogo Narikage. The result is a representative example of Edo ukiyo-e yakusha-e from the high-water moment of the Katsukawa school, when Shunsho's emphasis on physiognomic likeness had set a new standard for actor prints and trained Edo audiences to read each design as a verifiable record of a known performance. The Nakamura Theater's sixth-month program would have been an off-peak slot relative to the eleventh-month kaomise season, which makes this print especially useful as evidence of year-round theatrical activity in Edo. The work belongs to the Art Institute of Chicago, whose Katsukawa school holdings continue to support scholarly reconstruction of Edo's kabuki calendar and of the careers of leading actors such as Matsumoto Koshiro III as recorded by the Katsukawa school designers.