Kakemono-e: Courtesan on Parade

[Kakemono-e](/glossary/kakemono-e): Courtesan on Parade by Keisai Eisen exploits the elongated hanging scroll format known as kakemono-e to depict a high-ranking courtesan in formal procession. Documented on [ukiyo-e](/glossary/ukiyo-e).org from a Japanese Art Open Database entry, the sheet belongs to Eisen's most ambitious [bijin-ga](/glossary/bijin-ga) production within Edo ukiyo-e. The oiran procession was one of the great public spectacles of the Yoshiwara pleasure district, in which the most celebrated courtesans walked the streets of the quarter in towering geta sandals, escorted by attendants who held the heavy ends of their elaborately layered kimono. Eisen's vertical kakemono-e composition is ideally suited to such a subject, allowing the courtesan's full height and the cascading lines of her uchikake to extend from the top to the bottom of the sheet. The kakemono-e format was a luxury choice, requiring larger paper and more careful printing, and Eisen used it for some of his most carefully designed beauties. The figure's hairstyle, with its array of combs and pins, locates the print firmly within the Bunsei or Tenpo period of the early nineteenth century, when oiran fashion reached its most ornate. Eisen's facial type – heavier and more melancholic than Utamaro's – marks the print as belonging to his mature manner. The ukiyo-e.org entry preserves the sheet without confirmed publisher or date but documents Eisen's command of one of the most demanding formats in late Edo print design.