Numazu

Numazu is a sheet from Keisai Eisen's series Beautiful Women for the 53 Stations of the Tokaido (Tokaido gojusan-tsugi mitate bijin), in which each of the celebrated post-stations between Edo and Kyoto is represented not by a landscape view but by a single figure of a beauty. Numazu was the twelfth station on the Tokaido, set at the foot of Mount Fuji where the highway crossed the Kano River, and in Hiroshige's better-known landscape series it is associated with the famous moonlit arrival of pilgrims. Eisen abandons the landscape entirely and gives the viewer instead a courtesan or geisha posed against a near-empty ground, the station name treated as a literary association rather than a topographical claim. The figure is built with Eisen's mature Edo [ukiyo-e](/glossary/ukiyo-e) mannerisms - elongated proportions, a small head, and the heavily drawn outer kimono with confident black contours and saturated indigo and vermillion. The sheet is preserved in the ukiyo-e.org archive (Eisen Keisai, Beautiful Women for the 53 Stations of the Tokaido, Numazu). The series is a striking example of how [bijin-ga](/glossary/bijin-ga) designers of the 1830s used the saturated visual market for Tokaido prints by inverting it: in a marketplace already crowded with topographical road series, mitate-style bijin-ga sheets like this Numazu offered the same place-name framework with an entirely different image inside.