A Set of Three Romantic Journeys (Michiyuki sanpuku tsui)

Kitagawa Utamaro's A Set of Three Romantic Journeys (Michiyuki sanpuku tsui), produced around 1794, takes up one of the most affecting motifs of Edo popular literature and theater, the michiyuki travel scene in which lovers walk together toward their fate. In jōruri puppet plays and kabuki adaptations, the michiyuki was the lyrical centerpiece, a stretch of poetry sung over the lovers' final journey before catastrophe or reunion. Utamaro and his publisher organized the present set as a triad of such moments drawn from celebrated narratives, allowing collectors to assemble three sheets that read together as a meditation on devotion, transgression, and movement through landscape. Each design pairs a man and woman in distinctive costume against a setting that hints at the locale of their story, the figural composition more important than topographic accuracy. Within Utamaro's [ukiyo-e](/glossary/ukiyo-e) output, the michiyuki prints belong to a sustained engagement with literary subjects in dialogue with his core practice of Edo [bijin-ga](/glossary/bijin-ga), treating the named heroines of jōruri and kabuki as members of the same gallery of beauties that included Yoshiwara courtesans and Edo townswomen. The Art Institute of Chicago houses the impression, where it serves as a representative example of Utamaro's literary-theatrical work alongside his better-known portraits of named contemporaries.