Hanaôgi of the Ôgiya, from the series
- Medium:
- Woodblock print
- Source:
- Art Institute of Chicago
- Image courtesy of
- Art Institute of Chicago
Description
This oban-format portrait depicts Hanaôgi, one of the most celebrated courtesans of the Ôgiya establishment in the Yoshiwara pleasure district. Utamaro renders her in his characteristic okubi-e style, cropping the composition at the bust to concentrate attention on the refinement of her features and the elaborate lacquered kanzashi ornaments anchoring her coiffure. The Ôgiya was among the most prestigious houses in the Yoshiwara, and Hanaôgi appears in several of Utamaro's series celebrating the quarter's leading beauties. Subtle bokashi gradation — likely a mica or grey wash — enriches the background, giving the portrait a luminous depth. The interplay of patterned textiles against the figure's skin demonstrates Utamaro's mastery of rendering tactile contrasts through woodblock registration.
More Prints by Kitagawa Utamaro
![A Low Class Prostitute (Gun [teppo]), from the series “Five Shades of Ink in the Northern Quarter" ("Hokkoku goshiki-zumi") by Kitagawa Utamaro](https://www.artic.edu/iiif/2/ed82be98-8a83-4163-ccc4-e2f7210cce55/full/843,/0/default.jpg)
A Low Class Prostitute (Gun [teppo]), from the series “Five Shades of Ink in the Northern Quarter" ("Hokkoku goshiki-zumi")
c. 1794/95
Color woodblock print; oban

Woman Holding a Fan (from the series Ten Aspects of the Physiognomy of Women)
c. 1793
color woodblock print

Akashi of the Tamaya, from the series Seven Komachis of Yoshiwara (Seiro nana Komachi) (Tamaya uchi Akashi, Uraji, Shimano)
Woodblock print

Hour of the Tiger (Tora no koku = 4 AM) from the series Twelve Hours in Yoshiwara (Seirô jûni toki tsuzuki), Late Edo period, circa 1794
Woodblock print
Frequently Asked Questions
Hanaôgi of the Ôgiya, from the series was created by Kitagawa Utamaro (喜多川歌麿).