Hinazuru of the Keizetsuro, from the series
- Medium:
- Woodblock print
- Source:
- Art Institute of Chicago
- Image courtesy of
- Art Institute of Chicago
Description
This single-figure portrait of Hinazuru, a high-ranking courtesan of the Keizetsuro, is likely part of one of Utamaro's serial surveys of celebrated Yoshiwara beauties. The name Hinazuru — meaning young crane — was commonly adopted by courtesans within the quarter, and the print's inclusion of the house name Keizetsuro identifies the specific subject within the broader bijin-ga tradition. Utamaro's rendering of the face employs his signature reductive line economy: a few arcing strokes define the nose and lips, while the eyes are indicated with a minimum of ink yet convey alertness and composure. The kimono, by contrast, receives dense pattern work printed across multiple woodblocks, creating a visual tension between restrained facial treatment and elaborate textile decoration.
More Prints by Kitagawa Utamaro
![A Low Class Prostitute (Gun [teppo]), from the series “Five Shades of Ink in the Northern Quarter" ("Hokkoku goshiki-zumi") by Kitagawa Utamaro](https://www.artic.edu/iiif/2/ed82be98-8a83-4163-ccc4-e2f7210cce55/full/843,/0/default.jpg)
A Low Class Prostitute (Gun [teppo]), from the series “Five Shades of Ink in the Northern Quarter" ("Hokkoku goshiki-zumi")
c. 1794/95
Color woodblock print; oban

Woman Holding a Fan (from the series Ten Aspects of the Physiognomy of Women)
c. 1793
color woodblock print

Akashi of the Tamaya, from the series Seven Komachis of Yoshiwara (Seiro nana Komachi) (Tamaya uchi Akashi, Uraji, Shimano)
Woodblock print

Hour of the Tiger (Tora no koku = 4 AM) from the series Twelve Hours in Yoshiwara (Seirô jûni toki tsuzuki), Late Edo period, circa 1794
Woodblock print
Frequently Asked Questions
Hinazuru of the Keizetsuro, from the series was created by Kitagawa Utamaro (喜多川歌麿).