Hanga
Niwaka Performers in a Yoshiwara Teahouse, left sheet of incomplete triptych by Kitagawa Utamaro — Japanese Woodblock print (nishiki-e); ink and color on paper, c. 1800-1801 (Kansei 12-Kyōwa 1)

Niwaka Performers in a Yoshiwara Teahouse, left sheet of incomplete triptych

by Kitagawa Utamaro

Date:
c. 1800-1801 (Kansei 12-Kyōwa 1)
Medium:
Woodblock print (nishiki-e); ink and color on paper

Description

Niwaka Performers in a Yoshiwara Teahouse, identified by Harvard Art Museums as the left sheet of an incomplete triptych dating to about 1795, is a substantial late composition by Kitagawa Utamaro that documents the festival amusements of Edo's licensed quarter. The Niwaka, an annual autumn festival in the Yoshiwara, featured costumed performances by courtesans, apprentices and other denizens of the quarter, who took part in skits and dances staged in teahouses and along the streets. This surviving sheet shows performers within a teahouse setting, their costumes and properties indicating that they have either just concluded or are about to begin a turn. Utamaro brings to the scene his command of Edo bijin-ga, depicting each performer with refined individuality through robe pattern, hairstyle and gestural attitude. As ukiyo-e, the print belongs to a category in which floating-world artists documented the Yoshiwara not only as a site of consumption but as a generator of its own entertainment culture, with the Niwaka as one of its most photogenic occasions. The composition exploits the larger horizontal sweep that the triptych format afforded, even though the missing two sheets prevent a full reading of the original design. Color choices and the precision of the keyblock indicate the high quality of the impression as preserved at Harvard. The work remains valuable both as a study of festival performance and as evidence of Utamaro's ambitious late triptychs, in which group portraiture and event documentation merged.

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Frequently Asked Questions

Niwaka Performers in a Yoshiwara Teahouse, left sheet of incomplete triptych was created by Kitagawa Utamaro (喜多川歌麿) in c. 1800-1801 (Kansei 12-Kyōwa 1).