A Geisha and Her Maid

A Geisha and Her Maid, about 1777, is a color woodblock print at the Art Institute of Chicago. The two-figure composition - a senior entertainer with a younger attendant - was a Shigemasa staple of the late 1770s, allowing him to pair contrasting figures within a vertical print and develop the visual rhythm between adult and child, dignified and informal, employer and apprentice. The geisha here is the central focus, presented in the tall, statuesque proportions and refined dress that distinguished Shigemasa's mature [bijin-ga](/glossary/bijin-ga). The maid, smaller and positioned to one side, provides scale and narrative context. By 1777, Shigemasa had become one of Edo's defining bijin-ga designers, having published the celebrated Seiro Bijin Awase Sugata Kagami album with Katsukawa Shunsho the year before. The conventions visible in this print - poised figures, carefully observed dress, calm dignified faces - would influence Torii Kiyonaga and, through him, the entire bijin-ga tradition into the Utamaro generation. The Art Institute of Chicago's impression is a representative example of Shigemasa's late-1770s style.