
Descending Geese in the Archery Gallery (Yokyuba no Rakugan)
- Date:
- c. 1770s
- Medium:
- Color woodblock print; hosoban, trimmed
- Source:
- Art Institute of Chicago
Description
Descending Geese in the Archery Gallery (Yokyuba no Rakugan), dating to the 1770s, is a hosoban color woodblock print, trimmed, held by the Art Institute of Chicago. The title parodies one of the canonical Eight Views topics, "descending geese over a sandbar" (heisha rakugan), by substituting the contemporary urban setting of a yokyuba - a popular archery range where Edo townspeople, particularly young men, gathered to shoot at targets and flirt with the women who served as attendants. The "descending geese" of the title refer punningly to the arrows in flight as well as to the conventional waterfowl of the classical scene. Yokyuba were ubiquitous in eighteenth-century Edo and were a common subject of genre painting and print. The mitate device - mapping the classical Chinese landscape canon onto the urban entertainment economy of Edo - was central to Shigemasa's literary print practice. The Art Institute of Chicago's impression, though trimmed, preserves the wit of the composition and its dialogue with the Eight Views tradition.
More Prints by Kitao Shigemasa

Autumn Moon over Sumida River (Sumida aki zuki), from the series "Eight Views of the Sumida River (Sumidagawa hakkei)"
early 1760s
Color woodblock print; hosoban, mizu-e

Crossing the Bridge at Sano
c. 1774
Color woodblock print; koban

No. 5: Noda River in Mutsu Province, from the series "Six Jewel Rivers of the Floating World (Ukiyo Mu Tamagawa)"
c. 1769
Color woodblock print; hosoban

No. 6: Tama River of Koyasan in Kii Province, from the series "Six Jewel Rivers of the Floating World (Ukiyo Mu Tamagawa)"
c. 1769
Color woodblock print; hosoban
Frequently Asked Questions
Descending Geese in the Archery Gallery (Yokyuba no Rakugan) was created by Kitao Shigemasa (北尾重政) in c. 1770s.