
The Poet Ise Looking Up at a Flock of Returning Geese, from an untitled series of eight views
- Date:
- early 1760s
- Medium:
- Color woodblock print; hosoban, mizu-e
- Source:
- Art Institute of Chicago
Description
The Poet Ise Looking Up at a Flock of Returning Geese, from an untitled series of eight views, is an early 1760s hosoban mizu-e color woodblock print at the Art Institute of Chicago. Lady Ise (active c. 875-940) was one of the great female poets of the Heian court, included among the Thirty-Six Immortal Poets, and remembered above all for the emotional acuity of her waka. The motif of returning geese - one of the standard topics in Eight Views series adapted from Chinese landscape painting - is matched here with a poet whose verse meditated on longing and distance. This double-layered reference, combining the Eight Views tradition with the figure of a celebrated woman poet, is exactly the kind of literary mitate that Shigemasa specialized in: classical poetic imagery transposed into a floating-world print for an audience that prided itself on cultivated reading. The hosoban format and mizu-e treatment date the print to the same productive moment as the Sumida views. The Art Institute of Chicago's holdings of these early hosoban prints constitute one of the most complete records of Shigemasa's formative work outside Japan.
More Prints by Kitao Shigemasa

Autumn Moon over Sumida River (Sumida aki zuki), from the series "Eight Views of the Sumida River (Sumidagawa hakkei)"
early 1760s
Color woodblock print; hosoban, mizu-e

Crossing the Bridge at Sano
c. 1774
Color woodblock print; koban

No. 5: Noda River in Mutsu Province, from the series "Six Jewel Rivers of the Floating World (Ukiyo Mu Tamagawa)"
c. 1769
Color woodblock print; hosoban

No. 6: Tama River of Koyasan in Kii Province, from the series "Six Jewel Rivers of the Floating World (Ukiyo Mu Tamagawa)"
c. 1769
Color woodblock print; hosoban
Frequently Asked Questions
The Poet Ise Looking Up at a Flock of Returning Geese, from an untitled series of eight views was created by Kitao Shigemasa (北尾重政) in early 1760s.