Embracing the Void

A color abstraction in mokuhanga on washi, this print takes its title from cosmological and queer theoretical language simultaneously. Garcia likely employs multi-block registration to build deep chromatic fields — indigos, blacks, or near-neutral tones — that recede or expand across the washi surface. Gradated bokashi transitions between tonal zones may evoke the perceptual experience of confronting empty space, while the fibrous texture of the washi substrate becomes formally active, holding ink in ways that manufactured papers cannot. The work operates within Garcia's broader practice of using color field abstraction as a vehicle for speculative identity narratives, positioning the void not as absence but as a site of queer possibility and quantum indeterminacy.