IMC 2024 Echizen submission

An abstract composition in shades of indigo and pale blue-green, built from broad sweeping strokes that curve downward across the sheet like windblown foliage or falling rain. Small unprinted flecks and dots break through the blue pigment, scattered mainly through the upper half against a lighter aqua ground. Natasha Norman's *IMC 2024 Echizen submission* (2024) is a mokuhanga woodblock print with no discernible figures or setting, relying entirely on gestural mark-making and tonal contrast between deep indigo and soft blue-white.