The Actor Ichikawa Monnosuke I

This hand-colored woodblock print, dated to around 1719 and held by the Art Institute of Chicago, depicts the kabuki actor Ichikawa Monnosuke I in a [hosoban](/glossary/hosoban)-format beni-e. The Ichikawa line was one of the most powerful acting dynasties of Edo kabuki, and Monnosuke I worked the Edo stages during the early eighteenth century when [ukiyo-e](/glossary/ukiyo-e) was beginning to take shape as a print medium. Toshinobu renders the figure with the linear restraint typical of the Okumura school: slender silhouette, calligraphic outline, and carefully balanced empty ground. The pink beni pigment is applied by hand to flesh tones and accents in the costume, while the deepest blacks of the hair and sash receive the lacquered urushi treatment that gave these prints their physical, almost three-dimensional sheen. The hosoban format, tall and narrow, suited standing portraits of single actors and was the primary vehicle for [yakusha-e](/glossary/yakusha-e) in this period, before the wider [oban](/glossary/oban) format took over later in the century. The Art Institute's impression preserves the precise carving and clean impression that characterize the Okumura studio's commercial output at its best. Within the broader trajectory of the Okumura school, prints of this kind document the moment when the hand-colored hosoban actor portrait reached its most refined urushi-e expression, balancing the calligraphic discipline of the carved line with the sensuous physical sheen of the lacquered blacks that gave the period's prints their distinctive material presence. The Okumura studio's commercial network of Edo publishers ensured that work of this format reached collectors and theater audiences throughout the shogunal capital.