
Landscape ed. 16/45
- Source:
- ukiyo-e.org
Description
Landscape, issued as number 16 in an edition of 45, is a signed and numbered woodblock print by Sawada Tetsuro, a Japanese printmaker associated with the late twentieth-century evolution of contemporary mokuhanga away from narrative pictorialism and toward atmospheric abstraction. The composition belongs to the wider current of postwar [sosaku-hanga](/glossary/sosaku-hanga) practice in which the artist personally designs, carves, and prints the block, signing the impression in pencil in the lower margin alongside the edition number and title in the manner inherited from European print conventions. Sawada Tetsuro is best known for his minimalist sky prints, in which graded horizons, cloud banks, and shifting bands of light substitute for any recognizable place, and Landscape participates in that idiom: it is identified only by the generic title Landscape rather than by a named locale, allowing the viewer to read it as weather, as time of day, or as a meditative field rather than as topography. The print is recorded in the digital archive at [ukiyo-e](/glossary/ukiyo-e).org, which aggregates holdings and dealer inventories of Japanese woodblock prints from public and private collections, and the impression illustrated there carries the artist's pencil signature and the edition fraction 16/45, confirming its status as a limited-edition mokuhanga sheet rather than a reproduction. Surfaces in Sawada's work typically rely on [bokashi](/glossary/bokashi) gradations pulled by hand from carved wood, often layered in muted blues, greys, and warm earth tones over the natural cream of Japanese paper, and the same restrained palette and soft tonal transitions are characteristic of this Landscape. The work belongs to a body of contemporary mokuhanga that connects the technical heritage of Edo-period woodblock printing to the visual vocabulary of postwar Japanese abstraction, and stands as a representative example of Sawada Tetsuro's pared-down approach to landscape as mood rather than description.



