Bando Mitsugoro II as Tennen no Mansaku-kitsune and Ichikawa Monnosuke III as Nikaido Shinanonosuke and Iwai Hanshiro IV as Okura no Kojoro-kitsune in the scene from the drama Moto Mishi Yuki Sakae Hachi-no-ki (Nidaime Bando Mitsugoro no Tennen no mansaku-kitsune, nidaime Ichikawa Monnosuke no Nikaido Shinanonosuke, yondaime Iwai Hanshiro no Okura no kojyoro-kitsune)

This color woodblock print, designed by Torii Kiyonaga in 1773, depicts a complex three-actor scene from the Edo dance-drama Moto Mishi Yuki Sakae Hachi-no-ki. The performers are identified in the title block: Bandō Mitsugorō II as Tennen no Mansaku-kitsune, Ichikawa Monnosuke III as Nikaidō Shinanonosuke, and Iwai Hanshirō IV as Okura no Kojōrō-kitsune. The two kitsune (fox-spirit) roles were specialty parts in the Edo repertoire, requiring rapid costume changes, percussive accompaniments, and stylized movement to suggest a supernatural creature wearing human guise. As the rising head-designate of the Torii school of woodblock artists—an Edo lineage devoted to kabuki signboards and actor prints—Kiyonaga was in his element with such a subject. The composition arranges the three figures in poses drawn from the climactic moment of the play, their costumes patterned with the elaborate textile motifs that signaled to audiences who they were watching. The Art Institute of Chicago, which holds this impression, places the print in the early 1770s, when Kiyonaga's [bijin-ga](/glossary/bijin-ga) reputation had not yet eclipsed his theatrical work, and the Torii school's signboard-derived monumentality is fully visible. The palette—rich reds, deep blacks, sharp whites—matches the dramatic stagecraft of the scene. For modern viewers, the sheet preserves an otherwise undocumentable performance, recording how three of the celebrated actors of 1773 inhabited their fox and warrior roles before audiences in Edo's licensed theaters.