Geisha Applying Makeup

Geisha Applying Makeup, a 1776 Torii Kiyonaga print, returns to one of Edo [bijin-ga](/glossary/bijin-ga)'s enduring subjects: a young professional woman attending to her toilette before a public engagement. Kiyonaga shows the geisha seated before a low stand, mirror in hand or just at hand, her kimono opened slightly at the neck to permit application of cosmetics, the moment caught with the discretion that characterized his treatment of intimate interior scenes. By 1776 Kiyonaga had begun to specialize in the depiction of geisha as a category distinct from Yoshiwara courtesans — a useful pictorial distinction in a city where Edo's machi-geisha had emerged as a recognizable urban presence over the previous quarter-century. The Torii school's traditional commercial base lay in kabuki signboards, but Kiyonaga's expansion into geisha subjects helped reposition the studio as a leading producer of Edo bijin-ga. The print's precise observation of the cosmetic apparatus — the brushes, the small dishes, the lacquered box — joins his early interest in documenting the material culture of fashionable women, an interest that would deepen across his subsequent series. The Art Institute of Chicago records this design among its early Kiyonaga holdings, where it documents the artist's mid-1770s engagement with toilette subjects.