Sawamura Sojuro III and Arashi Murajiro as Kusunoki Masatsura and Koto no Naishi

Sawamura Sojuro III and Arashi Murajiro as Kusunoki Masatsura and Koto no Naishi, dated 1786 in the Cleveland Museum of Art collection, depicts a celebrated kabuki pairing drawn from medieval history. Kusunoki Masatsura (1326–1348) was the loyalist warrior son of the storied general Kusunoki Masashige; his romance with Lady Koto no Naishi, attendant to Emperor Go-Murakami, was a stock subject for the puppet and kabuki stages, where it was treated as an emblem of fidelity to both lover and sovereign. Torii Kiyonaga shows Sawamura Sojuro III in male role as Masatsura and the onnagata Arashi Murajiro as Koto no Naishi, the two figures balanced like a courtly [diptych](/glossary/diptych) within a single sheet. The Torii school's traditional command of the theatre is visible in the assured outline and the carefully observed costume, while Kiyonaga's Edo [bijin-ga](/glossary/bijin-ga) manner softens the masculine figure of Masatsura and gives Koto no Naishi the tall, slender proportions of his contemporary beauties. The print is a hybrid: a [yakusha-e](/glossary/yakusha-e) in genre but a bijin-ga in posture, illustrating Kiyonaga's habit of treating both worlds with the same elevated formal language. The Cleveland Museum of Art records the work among its Kiyonaga holdings and ties it to the kabuki repertoire of the mid-1780s. For collectors, the design is a useful index of how Kiyonaga's reforms in bijin-ga reshaped actor prints, prefiguring the elegant theatrical figures that artists such as Toyokuni I would later develop.