Two Geisha Walking under a Cherry Tree

Two Geisha Walking under a Cherry Tree, a 1776 Torii Kiyonaga design, joins two of the artist's emerging mid-1770s specialties: the depiction of Edo's professional geisha and the use of seasonal flora as compositional armature. The pair of geisha move in step beneath a flowering cherry, their kimono patterns and obi handling carefully differentiated, the cherry's branches arcing across the top of the sheet to register the spring season without intruding on the figural focus. The print's slighter proportions place it firmly in Kiyonaga's first decade, before his early-1780s development of the tall, monumental female type, and the figures retain something of the lyrical scale established by Suzuki Harunobu and continued by Kitao Shigemasa. The series and single-sheet [bijin-ga](/glossary/bijin-ga) of 1776 collectively show how the Torii school under Kiyonaga's developing leadership was carving out a substantial bijin-ga practice alongside its traditional kabuki-signboard role — a redirection that would prove decisive for the school's prominence over the following decade. The Art Institute of Chicago records this design among its 1776 Kiyonaga holdings, where it sits as a representative example of the artist's early hanami-bijin combinations.