Woman Wearing Black Hood in Front of the Hatsutaka Teahouse

Woman Wearing Black Hood in Front of the Hatsutaka Teahouse is a 1778 woodblock print by Torii Kiyonaga, held in the collection of the Art Institute of Chicago. The design places a single elegant woman, wrapped in a black hood, in front of the Hatsutaka, a teahouse identified by its signage and recognizable to Edo viewers as a specific establishment. Kiyonaga uses the building's facade as a structured backdrop, against which the figure's tall, elongated silhouette stands out with particular clarity. The black hood draws together the head and shoulders into a single dark mass, allowing the lower body's patterned robes to flow as a counterweight; the result is the kind of disciplined two-part composition that the Torii school favored. The print belongs to Kiyonaga's late-1770s output, when he was already established as the leading designer of the Torii school and had begun shifting Edo [bijin-ga](/glossary/bijin-ga) away from the small, doll-like figures inherited from Harunobu's generation. The Hatsutaka teahouse setting situates the woman precisely in the social geography of late-eighteenth-century Edo, where named teahouses functioned as both meeting places and reference points in the visual culture of the city. The Art Institute of Chicago records this impression among its Kiyonaga holdings, where it stands as a fine example of the artist's single-figure bijin-ga at the threshold of his mature period. The print's documentary value, in fixing the appearance of a specific teahouse, complements its formal interest as a study in poised contour and confident graphic restraint typical of Torii school design.