Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)
Nijushiko doji kagami
About This Series
Utagawa Kuniyoshi's Twenty-four Paragons of Filial Piety as a Mirror for Children, known in Japanese as the Nijushiko doji kagami, belongs to the long Sino-Japanese moral tradition of the Nijushiko, the canonical twenty-four exemplars of devoted children whose stories had circulated in Japan since the medieval period as illustrations of Confucian piety. The series is generally placed in the 1840s, the period when official sumptuary regulations and the Tenpo reforms of 1842 had pushed Edo publishers toward subject matter that could be defended as morally improving, and titles such as this one, framed explicitly as a mirror for children, gained particular currency. Kuniyoshi treats each of the canonical episodes, from Meng Zong digging for bamboo shoots in the winter snow to Wang Xiang lying on the ice to catch a carp for his stepmother, with the dramatic clarity and emotional warmth that distinguish his narrative prints. As musha-e in the broadest sense, the sheets adopt the conventions Kuniyoshi had refined in his great warrior series of the previous decade: an isolated foreground figure or family group, a strongly designed landscape setting, and a calligraphic cartouche supplying the moral text. The series was issued through one of the established Edo publishers of the period; the publisher and date should be verified against standard reference catalogues. Modern scholarship reads the print cycle both as a document of Tokugawa-era moral instruction and as an example of how Kuniyoshi's commercial instincts allowed him to repackage Sino-Japanese moral content in a visual register that drew on his celebrated heroic mode. The Nijushiko doji kagami sheets continue to appear in survey collections of late Edo print culture, where they offer a useful glimpse of how the conservative reforms of the 1840s redirected even a master of dramatic action into the field of explicit moral pedagogy.
Prints in This Series (5)
Frequently Asked Questions
Utagawa Kuniyoshi's Twenty-four Paragons of Filial Piety as a Mirror for Children, known in Japanese as the Nijushiko doji kagami, belongs to the long Sino-Japanese moral tradition of the Nijushiko, the canonical twenty-four exemplars of devoted children whose stories had circulated in Japan since the medieval period as illustrations of Confucian piety. The series is generally placed in the 1840s, the period when official sumptuary regulations and the Tenpo reforms of 1842 had pushed Edo publishers toward subject matter that could be defended as morally improving, and titles such as this one, framed explicitly as a mirror for children, gained particular currency. Kuniyoshi treats each of the canonical episodes, from Meng Zong digging for bamboo shoots in the winter snow to Wang Xiang lying on the ice to catch a carp for his stepmother, with the dramatic clarity and emotional warmth that distinguish his narrative prints. As musha-e in the broadest sense, the sheets adopt the conventions Kuniyoshi had refined in his great warrior series of the previous decade: an isolated foreground figure or family group, a strongly designed landscape setting, and a calligraphic cartouche supplying the moral text. The series was issued through one of the established Edo publishers of the period; the publisher and date should be verified against standard reference catalogues. Modern scholarship reads the print cycle both as a document of Tokugawa-era moral instruction and as an example of how Kuniyoshi's commercial instincts allowed him to repackage Sino-Japanese moral content in a visual register that drew on his celebrated heroic mode. The Nijushiko doji kagami sheets continue to appear in survey collections of late Edo print culture, where they offer a useful glimpse of how the conservative reforms of the 1840s redirected even a master of dramatic action into the field of explicit moral pedagogy.
The Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami) series contains 5 prints, created by Utagawa Kuniyoshi.
The Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami) series was created by Utagawa Kuniyoshi (歌川国芳).
We currently have 5 of 5 known prints from the Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami) series indexed in our collection. Browse them all on this page.
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