
Morning Moon 59
- Medium:
- Woodblock print
- Source:
- Japanese Art Open Database
- Image courtesy of
- Japanese Art Open Database
Description
Morning Moon 59 belongs to the later phase of the series and likely shows the progressive abstraction characteristic of Amano's mature printmaking. The compositional elements have been reduced through repetition to their essential geometry: lunar disc or crescent, horizontal color band, ground register. What varies from print to print in the late series is the precise calibration of these elements — their size, proportion, color, and surface treatment — rather than any introduction of new motifs. Embossed obi-pattern references may appear at this stage, merging the lunar landscape subject with the textile-derived geometric vocabulary of Amano's later work. The print is likely modest in scale, printed on handmade washi with a small number of woodblocks, each inked and pressed by hand to build the composition through additive color layering.
More Prints by Amano Kunihiro
More Night Scenes Prints
Evening in East Africa
Woodblock print

Evening Shower at Teradomari (Teradomari no yau), from the series "Souvenirs of Travel, Second Series (Tabi miyage dai nishu)"
Teradomari no yau
1921
Color woodblock print; oban
![Mount Fuji on a Moonlit Night, Kawai Bridge (Tsukiyo no Fuji [Kawaibashi]), from the series "Selection of Views of the Tokaido (Tokaido fukei senshu)" by Kawase Hasui](https://www.artic.edu/iiif/2/d0960668-1e73-339a-b182-fb995a54bff0/full/843,/0/default.jpg)
Mount Fuji on a Moonlit Night, Kawai Bridge (Tsukiyo no Fuji [Kawaibashi]), from the series "Selection of Views of the Tokaido (Tokaido fukei senshu)"
1947
Color woodblock print; oban

Evening Moon at Nakanoshima, Sapporo (Sapporo Nakanoshima no yuzuki), from the series "Collection of Views of Japan, Eastern Japan Edition (Nihon fukei shu higashi Nihon hen)"
March 1933
Color woodblock print; oban
Frequently Asked Questions
Morning Moon 59 was created by Amano Kunihiro (天野邦弘).
Morning Moon 59 depicts night scenes.



