An untitled [oban](/glossary/oban) woodblock print by Ebina Masao, its subject left unnamed either by the artist's intention or through the loss of identifying documentation over time. The absence of a title removes one layer of interpretive guidance, asking the viewer to engage with the image on purely visual terms—reading its forms, colors, and spatial relationships without the anchor of a descriptive label. Many sosaku hanga artists were comfortable leaving works untitled, trusting that the print itself communicated everything necessary. For Ebina, the carved and printed surface was the statement; words were supplementary at best.