The Courtesan Senzan of the Chojiya, from the series "Beauties of the Five Festivals (Bijin gosekku)"

This okubi-e of the courtesan Senzan of the Chojiya belongs to Ichirakutei Eisui's series Beauties of the Five Festivals (Bijin gosekku), a set issued in the late 1790s that paired top-ranking oiran of the Yoshiwara with the five seasonal observances of the Edo calendar. The sheet, an [oban](/glossary/oban) color woodblock print held by the Art Institute of Chicago, shows Senzan in a half-length pose framed by a cartouche giving her professional name and the name of her house, the Chojiya, one of the most prestigious establishments in the quarter. Eisui's debt to his teacher Chobunsai Eishi is visible in the elongated facial type, the high-set narrow eyes, and the restrained palette built around a few clear color accents and an extensive neutral ground. The kimono and obi patterns, carefully aligned to the curve of the body, give the print a graphic coherence that situates it within the brief late-Kansei flourishing of large-head courtesan portraiture, a market dominated by Utamaro but in which the Eishi school made a distinct and important contribution. The Art Institute's impression preserves the delicate color registration that defines the best examples of the series and rewards close attention to the kimono surface, the cartouche, and the soft gradation of the background field.