Young Couple in Front of a Screen

This Art Institute of Chicago color woodblock print in [hosoban](/glossary/hosoban) format and benizuri-e classification, dated to around 1748, depicts a young couple before a folding screen in the kind of intimate interior tableau that defined the [bijin-ga](/glossary/bijin-ga) of the 1740s and 1750s. The hosoban, a narrow vertical format roughly thirty by fifteen centimeters, was smaller than the [oban](/glossary/oban) and forced Ishikawa Toyonobu to compress his two figures into a tight vertical arrangement that the byobu folding screen behind them helped stabilize as a unified composition. Benizuri-e classification confirms that the sheet is a true color woodblock print rather than a hand-colored sheet, with two or three blocks supplying rose pink and grass green over the black-line printing. The young couple, almost certainly a fashionable Edo townsman and his consort or lover, occupies the central register of the sheet in a posture of quiet companionship that [ukiyo-e](/glossary/ukiyo-e) patrons would have read as carrying erotic charge without explicit illustration. The folding screen behind them supplies a planar architectural backdrop and references the painted-screen culture of elite Japanese interiors, importing the visual conventions of high painting into the more democratic medium of the print. The Art Institute holding is a key document of Toyonobu's mature benizuri-e production in the smaller hosoban format.