Wintry blast

Wintry Blast addresses a meteorological subject — wind-driven snow or cold — through the tonal range available to the etched plate. Saito's intaglio surface, with its capacity for deep velvety blacks worked with the rocker and brought back with the burnisher, lends itself to the low light and obscured atmospheric conditions a winter storm produces. Whether the image centers on a figure leaning into the wind, a shoreline whipped by gusts, or pure landscape, aquatint passages and graded plate tone would carry the bulk of the affective weight, with sparse linework reserved for skeletal branches, drifted snow, or buffeted fabric. The subject locates Saito within the long Japanese tradition of seasonal printmaking — a thread that runs through Hiroshige's snow scenes and Kawase Hasui's [shin-hanga](/glossary/shin-hanga) winters — even as his medium and tonal idiom belong to twentieth-century intaglio rather than woodblock. Such weather-driven subjects sit at the edge of his more typical figural and literary work.